Monday, September 14, 2009

II Line and Space (words)

Strait Lines a line traced by a point traveling in a constant direction; a line of zero curvature
1.2.3.4.5.
1. "Cubic Modular" by Sol Lewitt
2."Old Buddy" by Mark DiSuvero
3."Open Rectangles, One Up One Down" by George Rickey
4."Signaux" by Vassilakis Takis
5."Untitled" by Lucio Fontana

Curved Lines A line that deviates from straightness in a smooth, continuous fashion
1.2.3.4.5.
1. "Annular Eclipse" by George Rickey
2. "Bojangles" by Mark DiSuvero
3. "Meta-Mecanique" by Jean Tinguely
4. "Signal" by Vassilakis Takis
5. "Wall Drawing 1134" by Sol LeWitt

Vertical Lines A line perpendicular to the horizon
1.2.3.4.5.
1. "Atlas" by Lucio Fontana
2. "Cubo Virtual Azul y Negro" by Jesus Soto
3. "Modular Cube" by Sol Lewitt
4. "Signal" by Vassilakis Takis
5. "Two Lines Up Bronze" by George Rickey

Horizontal Lines a line parallel to the horizon
1.2.3.4.5.
1. "Concetto-Spaziale" by Lucio Fontana
2. "Pyramidian" by Mark DiSuvero
3. Unknown by George Rickey
4. Unknown by Jesus Soto
5. "Cubic Modular Wall Structure" by Sol LeWitt

Diagonal Lines a strait line the runs neither parallel nor perpendicular to the horizon, but at an angle
1.2.3.4.5.
1. "Are Years What?" by Mark DiSuvero
2. "Untitled (Signal)" by Vassilakis Takis
3. "Bygones" by Mark DiSuvero
4. "Concept Spatiale" by Lucio Fontana
5. "Conjunction II" by Lynn Chadwick

Actual Lines a true, drawn, and existent line, such as a contour line.
1.2.3.4.5.
1. "Clock Knot" by Mark DiSuvero
2. "Cubic Modular Wall Structure, Black" by Sol LeWitt
3. "London Scribblings" by Jesus Soto
4. "Walking Cloaked Figures" by Lynn Chadwick
5. "Wavy Lines with Black Border" by Sol LeWitt

Implied Lines a line that does not actually exist, but is seen by the eye by the suggestions of other shapes.
1.2.3.4.5.
1. "Piatto Concetto Spaziale" by Lucio Fontana
2. Wall painting by Sol LeWitt
3. "The Sphere" by Jesus Soto
4. "Wall Drawing 915" by Sol LeWitt
5. "One Fixed Four Jointed Lines Biased" by George Rickey

Sight Line a viewing line that is established by the arrangement of objects within one's field of vision
1.2.3.4.5.
1. "Eos XK3" by Jean Tinguely
2. "Four Lines Oblique" by George Rickey
3. "Molecule" by Mark DiSuvero
4. "Space Churn" by George Rickey
5. unknown by Sol Lewitt

Space the area within or around an area of substance.
1.2.3.4.5.
1. "Four Cubes" by SOl LeWitt
2. "Space Churn with Octagon" by George Rickey
3. "The Stranger" by Lynn CHadwick
4. unknown by "Lynn Chadwick
5. "Variation IV" by Jean Tinguely

Presence a quality related to an object's size, position, and purpose in and with its surroundings. It can be manipulated in order to exemplify certain characteristics of either.
2.3.4.5.
1. "E Space Interieur" by Vassilakis Takis
2. "Four Sided Pyramid" by Sol LeWitt
3. "Magnetic Evidence" by Vassilakis Takis
4. "Maquette for Conjunction II" by Lynn Chadwick
5. "Rust Angel" by Mark DiSuvero

Absence in Space similar to presence, but its opposite; this quality takes advantage of the space surrounding a sculpture or the absence of some other anticipated characteristic.
1.2.3.4.5.
1. "Concetto Spaziale" by Lucio Fontana
2. "Concetto Spaziale- Natura" by Lucio Fontana
3. "Magnetisme" by Vassilakis Takis
4. "Maquette III High Wind" by Lynn Chadwick
5. "Untitled" by Joel Shapiro

Opened Space an area of space not closed in, as in the space around an object
1.2.3.4.5.
1. "Incomplete Open Cube" by Sol LeWitt
2. "Matrac" by Jean Tinguely
3. "Mother Peace" by Mark DiSuvero
4. "Schubert Sonata" by Mark DiSuvero
5. "Signaux" by Vassilakis Takis

Closed Space an enclosed area of space, such as inside of a circle
1.2.3.4.5.
1. "Ave Delirio" by Mark DiSuvero
2. "Cubic Modular Wall Structure" by Sol LeWitt
3. "Five Open Squares Gyratory " by George Rickey
4. "Four Cubes" by George Rickey
5. "Mark's Mark" by Mark DiSuvero

Kinetic Form a form that actually moves
1.2.3.4.5.
1. "Carousel IV" by George Rickey
2. "Mobile" by Lynn CHadwick
3. "Penetrables" by Jesus Soto
4. unknown by George Rickey
5. unknown by Jean Tinguely

Proximity the distance between visual or structural elements or between an object and the audience
1.2.3.4.5.
1. "Ace of Spades" by Lynn Chadwick
2. "Daveeno" by Mark DiSuvero
3. "Splotch no.3" by Sol LeWitt
4. "Two Seated Figures" by Lynn Chadwick
5. unknown by "Jean Tinguely"

Closure the mind's inclination to connect fragmentary information to produce a completed form
1.2.3.4.5.
1. "Conjunction XV" by Lynn Chadwick
2. "Crocifisso" by Lucio Fontana
3. "Figure Femminili Distese" by Lucio Fontana
4. "Incomplete Open Cube" by Sol LeWitt
5. "Sitting Forms" by Lynn Chadwick

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