Friday, October 2, 2009

IV. "Alter Ego" mask

My inspiration for Joanna and her mask came primarily from Ovid's "Metamorphoses," which is a book of poetry depicting famous mythological transformations. I wanted to create something with lots of movement, with both organic and unnatural shapes, as if depicting a character in mid-transformation. I decided on a bird because I felt the feathers (though in my case are depicted abstractly) provided a great opportunity for layering and depth. I wanted the coloring to be unnatural and minimalistic, not distracting from the mask's form.

As far as the story goes, I wanted to continue the fairy-tale style of Metamorphoses, and also wanted to create a character that might symbolize my own earthly struggles, rather than an "anti-me." In addition to Metamorphoses, inspiration was drawn from other stories, most notably "The Swan Princess," "Beauty and the Beast," and the poem "Bonny Barbara Allen." Joanna Avis's name is of no real significance (Avis means "bird" in Latin, though)-- actually, her original name was Lucia (reflecting my classical inspiration), but I just stared referring to it as "Joanna" for no reason.

I had a few problems with the mask, primarily with trying to get it to stay on my face. The bottom section of the right cheek also snapped off during baking, and I only had time and materials for a rather shoddy patch job (I'm not trying to make excuses, but it was a very, very busy week for me..)

Actual story:

"Joanna-Avis"

"Joanna's story comes from a land of fairy tales and magic. Joanna herself was once a studious, reclusive bookkeeper, until, having spurned the love of a young man/warlock with her cold, material indifference, he placed a curse on her. As a result of this curse, Joanna was to live out her days in the guise of a bird, and her nights as a human, until such a time that she learned what was truly valuable in life.

So Joanna-- now nicknamed "Avis," the Latin word for bird-- proceeded, following her logical instinct, to attempt to break the curse as best as she could. However, rather than seeing it as a lesson to be learned, she undertook it actively as a challenge. During the day, she would thus try to do as much good as she could do in her bird form-- helping to guide lost travelers, singing brightly to cheer up passers-by, etc. After such vigorous day time flights, however, Joanna would inevitably sleep away her nighttime hours as a human. Too exhausted (or perhaps, too indifferent) to go into town, she thus misses her only opportunities to interact with other people as an equal.

Clearly, she is missing the point."


Tuesday, September 22, 2009

IV Degrees of Dimensionality

ALTER EGO: another side of oneself; a second self
1. 2. 3.4.5.
1. "Alter Ego" by Michael Krynski
2. "Confused" by Judith Kindler
3. "Portrait of Robert" by Louise Bourgeois
4. "Untitled" by Louise Bourgeois
5. "Whose Reincarnation are You?" by Reg Davidson

ABSTRACT: expressing a quality or characteristic apart from any specific object or instance; not meant to be a direct representation
1.2.3.4.5.
1. "In the Armenian Quarter" by Iris Goldstein
2. "Abakan Turkusowy" by Magdalena Abakanowicz
3. "Pathfinder" by Seymour Lipton
4. "Variant" by Brian Jungen
5. "Explosion" by Yayoi Kusama

NON-REPRESENTATIONAL: a style of art in which natural objects are not represented realistically; nonobjective
1.2.3.4.5.
1. "Corner Mirror with Coral" by Robert Smithson
2. "Jardin Luxembourg" by Iris Goldstein
3. "Wall Hanging" by Robert Morris
4. "Soft Landscape" by Louise Bourgeois
5. "Untitled Felt" by Robert Morris

ANTHROPOMORPHIC ABSTRACTION: a form of abstraction meant to represent animalistic or human themes
1.2.3.4.5.
1. Chinese Ceremonial Mask (unknown)
2. "Fragile Goddess" by Louise Bourgeois
3. "Shmerzensmann IV" by Berlinde De Bruyckere
4. by Tom Otterness
5. "Unrecognized" by Magdalena Abakanowicz

GEOMETRIC ABSTRACTION: a form of abstraction employing geometric or inorganic shapes, often to create patterns
1.2.3.4.5.
1. "Japanese Pavillion" by Iris Goldstein
2. "Monumento Democracia" by Gyula Kosice
3. "Negev" by Magdalena Abakanowicz
4. "Untitled" by Robert Morris
5. "Untitled" by Seymour Fogel

MASK: an item worn to cover, disguise, hide, or change the appearance of one's face.
1.2.3.4.5.
1. African Mask (unknown)
2. Elephant Mask, Nigerian (unknown)
3. "Kwigwis Sea Eagle Mask" by Simon Dick
4. "Sun Hawk Mask" by Norman Tait and Lucinda Turner
5. "Volcano Woman" by Christine White

LOW RELIEF: relief sculpture in which the figures project slightly from the background.
1.2.3.4.5.
1. 12th century cathedral fragment, unknown
2. "Asa Mask" by Chidi Okoye
3. "Giza" by Iris Goldstein
4. "Path of Life" by Chidi Okoye
5. "Portrait" by Louise Bourgeois

HIGH RELIEF:sculptured relief in which volumes are strongly projected from the background.
1.2.3.4.5.
1. Ceremonial Mask (by Baule?)
2. "Normal Terror" by Robert Morris
3. Relief depicting marriage ceremony, unknown
4. S. Pietro Facade by Ambrogio Buonvicino
5. "Suprematist Relief Sculpture" by Jean Pougny

IN-THE-ROUND being able to be viewed from all sides, such as a free-standing sculpture
1.2.3.4.5.

1. "Grulla" by Julio Eduardo Goya
2. Headrest, leopard animal (by Yaka?)
3. "Old School" by Berlinde De Bruyckere
4. "Hansel and Gretel and Separate Cage" by Tom Otterness
5. "Untitled" by Robert Morris